Fragrâncias violetas

Viola odorata | Flowers
Perfumes que contêm nota de fragrância - Violeta | Perfil olfativo:Uma nota floral doce e pulverulenta, arejada e orvalhada.
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Signorina Miele
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Signorina Miele

SKU: Miss Dior Chérie

SKU: Miss Dior Chérie

MARCA: Dior

Deliciosamente lindo, divertido, sedutor, ricamente feminino, mistura alegre e sensual. Signorina Miele abre com um convite de dar água na boca de morangos cítricos e suculentos seguido por uma chuva de sambac de jasmim e rosas, descansando finalmente em uma...

$69.99$44.99
Oud Raso
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Oud Raso

SKU: Oud Satin Mood

SKU: Oud Satin Mood

MARCA: Maison Francis Kurkdjian

Um perfume encantador para sedutores e aqueles que desejam ser seduzidos. Você estará deitado em uma cama macia de rosas. A rosa rica, opulenta e elegante irá encantá-lo com sussurros suaves em seu ouvido, contando pequenas histórias atrevidas que você...

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Selva Africana
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Selva Africana

SKU: Bal d'Afrique

SKU: Bal d'Afrique

MARCA: Byredo

Notas de fragrância Notas principais Bergamota, Buchu, Neroli, Tagetes, Limão Notas do Coração Ciclâmen, Jasmim, Violeta Notas de fundo âmbar, almíscar, vetiver, cedro atlas Compare com Bal d'Afrique

$59.99
Champaca Cognac
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Champaca Cognac

SKU: Champaca Absolute

SKU: Champaca Absolute

MARCA: Tom Ford

Elegante e sob medida, mas muito delicada, uma mulher que você vê de longe nas férias. Ela usa pequenos aros de ouro e uma blusa de seda branca. Um lenço Hermes com mechas de amarelo pastel. Jeans. Flats. Ela está...

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Pietra Blu
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Pietra Blu

SKU: Armani Privé - Bleu Lazuli

SKU: Armani Privé - Bleu Lazuli

MARCA: Giorgio Armani Privé

Notas de fragrância Notas principais Chá Mate, Bergamota, Cardamomo Notas de Coração Jasmim, Osmanthus, Ameixa Notas de base Sândalo, tabaco com mel, Baunilha Compare com Armani Privé - Bleu Lazuli

$59.99
Saara Negra
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Saara Negra

SKU: Sahara Noir

SKU: Sahara Noir

MARCA: Tom Ford

Black Sahara é uma interpretação olfativa da experiência do deserto quente. Feche os olhos, use a imaginação, sonhe seu pequeno sonho ... E então você pode se encontrar ali mesmo, no deserto. O ar é quente e seco, dunas de...

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Divine X
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Divine X

SKU: X for Men

SKU: X for Men

MARCA: Clive Christian

Uma mistura picante muito refinada e masculina que vai desde especiarias mais frias e amargas até aquelas mais escuras e quentes, como canela e pimentão. Imagine uma fragrância intensamente vegetal e terrosa, como o aroma de rizoma de gengibre recém-colhido....

$59.99
Santal Lush
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Santal Lush

SKU: Santal Lush

SKU: Santal Lush

MARCA: Fragrenza

Você está em uma floresta de árvores altas e espaçadas, com solo semi-arenoso crescendo sob essas árvores perfumadas. Todo aquele ambiente passou num dia seco, até os troncos das árvores protegendo a sombra daquelas flores embaixo cobriram o céu e...

$79.99$69.99
Lavender Intensa
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Lavender Intensa

SKU: Lavender Extreme

SKU: Lavender Extreme

MARCA: Tom Ford

Lavender Intense ultrapassa os limites tradicionais das fragrâncias. É uma fragrância suave, redonda, suave e arejada que apresenta muita lavanda e fava tonka maravilhosamente misturada com limão. O perfume se desenvolve ainda mais para se tornar ligeiramente doce com fava...

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Toque genuíno
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Toque genuíno

SKU: Genuine Touch

SKU: Genuine Touch

MARCA: Fragrenza Twist

O irresistível aroma de limão e essência de laranja emociona você com as sensações de diversão e alegria enquanto caminha pela praia durante uma agradável noite de verão. O ar tem um toque sedutor em si mesmo com a essência...

$59.99
Couro manhattan
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Couro manhattan

SKU: Manhattan Leather

SKU: Manhattan Leather

MARCA: Fragrenza Twist

A brisa tropical de Basil harmonizada com a sutileza doce de arbustos de jasmim espesso desperta um espírito de êxtase e êxtase. Adicionando uma tendência inspiradora, o sábio apreende você por meio de uma união espiritual no coração da fragrância....

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Violet is my favorite flower. I have been fascinated by them since childhood. But after many years of experience, I started to question this fascination. Is it the natural smell of a bouquet of flowers from my garden? Is this the conceptual or ideal scent of violet? Is it the deep visual impact of the flower itself? Perfumers tend to make abstract versions of their real-life experiences. This is why violets, as you can smell them in nature, are not exactly the same as violets in perfumes. These flowers have a very short flowering period. The smell changes from the time you pick them up to ten hours later. They also change every year in terms of nuances. Leaves and flowers contribute to the scent perceived in a garden. When the flowers are not in bloom in my garden, the smell of the leaves is present several months later - nonadienal and nonadienol mainly - a specific and very diffusing note of cucumber, not really linked to the absolute of violet leaves. . This scent contributes to the nostalgic smell of late fall, when most of the flowers are gone. Among the five fundamental flowers, violet and lily of the valley share a unique position. The natural reference shows little variation, unlike the multiple shades of a rose. In fact, we are talking about two very characteristic plants without many botanical versions and without much echo among other botanical families in the northern hemisphere. Most of the scent interpretations of these flowers are artistic definitions devised by talented perfumers. They show the shift from natural smell and reference to concept. This concept is often very realistic, but it is nothing more than the figment of the imagination. It takes a lot of skill and work to create a flower that smells natural despite the obvious differences from the source. Indeed, in perfumery, the power of the imagination and its capacity to generate a new reality is much greater than the power of memory. In fact, it's almost impossible to compare violet and lily of the valley to many scents based on these themes. Bouquet of violets, Edouard Manet 1872 These flowers have a very short flowering period. Perceived realism is not based on a true comparison of perfumes, it is based on our ability to conceptualize a perfume. The smell becomes abstract in our memory and this mental image is not static. This idea is very important in flower arrangements because you, as a perfumer, do not need to collect all the molecules indicated in the headspace analysis. You are not imitating a scent; you evoke his presence. We memorize a scent through analogies and differences with previous experiences; memory is never exact, and it is rather vague because the mental image changes with new knowledge. This is why there is always a difference between the portrait of a flower under the nose and the reconstitution of the same flower out of season in order to generate a similar olfactory realism. Bouquet of violets in a vase, Henri de Toulouse-Lautrec 1882 Many purple scents of the past are pure concepts. They are based on the very characteristic ionone and methyl ionone family with accents of the acetylene family Neo Folione and company. But this is nothing more than an exaggerated sketch. When you analyze the natural scent, you will detect multiple nuances, such as those related to flowers such as black currant, narcissus or cyclamen. Creating a violet perfume is very simple and extremely complicated at the same time. Most of the character-defining elements have been available since the end of the 19th century, and their combinations generate an obvious and immediately recognizable profile. But it is not the real violet flower, if you know a bouquet of violet. For many years I have been perfecting my purple bases. It is much easier to recognize the ionone chord than a true purple chord. A violet flower is extremely easy to simulate, but it is more complicated to reproduce all the nuances, its subtlety, the freshness and the naturalness of a bouquet. It is also much more difficult to formulate a product. Indeed, ionones and other high impact elements - natural or synthetic - have many variables and their adjustment from one batch to another is not easy. I won't talk about the differences between the many ionones that you can find on the market. Bouquet of violets, Albrecht Drer c. 1502 The natural extracts of violet flowers almost disappeared after WWI. In 1935, Ernest Guenther, then chief chemist at Fritzsche Brothers NY, wrote that the cultivation of violets had all but disappeared in France. Violette de Parme and Violette Victoria Luxonne were cultivated in the south of France, mainly Grasse, Hy�res and Toulouse cut flowers. Violet flower oil was used in several late 19th century perfumes from Pinaud, Delettrez and Millot. Later, a very small amount was mixed with new ionones in several specialties to give them naturalness. In 1938, Charabot was still making violet flower oil from Parma and Victoria flowers at an astronomical price: eight times the price of ordinary jasmine absolute. This product was obtained by fractionating Parma violet flower absolute and was the equivalent of contemporary molecular distillation. This is why many vintage perfumes from the 1930s cannot be made today without having access to these high fashion natural extracts typical of the time. April Violets Yardley was a long time ago and a really good rendition maybe too much emphasis on the green aspect, but when it was rephrased, maybe a decade ago, a lot went wrong. gone bad. EDT, deodorant, soap, and powder . . . after reformulating it all went wrong, and the imbalance revealed the bad sides of a classic theme. The vintage versions show the evolution from class to mass. Because we are drawn to contrasts, and perhaps overdose, the purple type as it is known through perfumes Guerlain, Caron, Berdoues, Penhaligon's is much more appreciated than the natural scent. However, the natural reproduction of the flower represents a major theme in classical perfumery. This scent - subtle, but very characteristic if you know the flower - is a theme in several classic Molyneux or Balenciaga perfumes, between the 30s and 60s. Purple, along with any other element of the five fundamental floral themes, is capable of generating a very long list of chords. Also, this flower is able to generate even more themes with little related families, going further in woody and amber scents.
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